Books with title As You Like it

Presented by Fiona Shaw, this is an invaluable resource, examining various issues, including how interpretations of Shakespeare can be explored through performance and the difference between film and theatre. The video includes workshops by Fiona Shaw with student actors; extracts from the all-male Cheek by Jowl production of the play; and interviews with Cheek by Jowl's Declan Donnellan and Adrian Lester and with directors/actors Annie Castledine, Peter Sellars, Juliet Stevenson and Deborah Warner. It ends with a specially shot version of the banishment scene directed by Fiona Shaw, with Susan Lynch and Matilda Ziegler. Produced by The Open University. NOT FOR SALE IN NORTH AMERICA.

As You Like It is perhaps Shakepeare's sunniest comedy, but there are patches of shade amidst the love-drenched brightness. Political corruption, fraternal rivalry and melancholy all serve as thematic counterpoints to Shakespeare's investigation of how release from the constraints of court, city, and even gender can permit a profound development of the self. In this manga, the Arcadian beauty of t...

This handsomely illustrated series presents Shakespeare in such a lively and accessible manner that students and young readers will find themselves wishing to read all his plays. Readers learn to enjoy these immortal works as they follow the story, get to know the characters, and explore the historical background of each play. Packed with color illustrations and portraits of the main characters, and enhanced with quotations, these are eye-opening introductions for students as well as valuable tools for teachers.

Each edition includes: - Freshly edited text based on the best early printed version of the play- Full explanatory notes conveniently placed on pages facing the text of the play- Scene-by-scene plot summaries- A key to famous lines and phrases- An introduction to reading Shakespeare's language- An essay by an outstanding scholar providing a modern perspective on the play- Illustrations from the Folger Shakespeare Library's vast holdings of rare booksEssay by Susan SnyderThe Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

Love triumphs in As You Like It, Shakespeare s joyous comic adventure! Rosalind, arguably Shakespeare s greatest female character, is banished from court and follows her exiled father into the untamed Forest of Arden. Disguised as a man for safety, Rosalind s great wit and good nature show through her male trappings as she engages with fools and philosophers adrift in the woods, and ultimately falls in love. An L.A. Theatre Works full cast performance featuring: Lynn Collins as Rosalind Jeff Gardner as Silvius/Jaques de Boys Alexis Jacknow as Audrey/Dennis/Lords/Pages Stacy Keach as Jaques James Marsters as Duke Frederick/Duke Senior André Sogliuzzo as Adam/Charles/Others Summer Spiro as Phebe/Amiens/Others James Waterston as Orlando Jules Wilcox as Celia Matthew Wolf as Touchstone/Oliver Directed by Barry Creyton. Recorded in Los Angeles before a live audience at The James Bridges Theater, UCLA in April of 2016.

As You Like It, Shakespeare's most lighthearted comedy and one of the best-loved and most performed of all his plays, was probably written in 1599 or 1600, though it was not printed until the First Folio of 1623. As its witty heroine is Shakespeare's longest female role, the play's performance history is marked by notable Rosalinds, from Hannah Pritchard and Margaret Woffington (giving rival performances in 1741), to Helen Faucit, Ada Rehan, Peggy Ashcroft, Katharine Hepburn, Vanessa Redgrave, Ronald Pickup (in an all-male production of 1967), Juliet Stevenson, and many others.

As You Like It is Shakespeare's most light-hearted comedy and one of the best-loved and most performed of all his plays. In his introduction to this new edition Alan Brissenden suggests reasons for its delayed publication and discusses in detail how productions have changed radically over the years. Shakespeare's use of his sources, his handling of the themes of love, doubleness, and pastoral are dealt with, as well as the significance of men playing women's parts on the Elizabethan stage. Detailed annotations explain allusions, puns, and difficult passages, enabling student, reader, actor, and director to savor the humor and the seriousness of the play to the full. There are illustrations, and appendices on "wit" and the songs, for which the earliest known music is printed.